iloveblackmovies
The Wackness
MOVIE REVIEW
Rated - R
2 OUT 5 POPCORN BAGS
VALERIE FREEMAN SAYS:
Clifford "Method Man" Smith in "The Wackness".
MOVIE REVIEW
Rated - PG 13
4 OUT 5 POPCORN BAGS
KAM WILLIAMS SAYS:

exhibited such promise on the cello that by the time he graduated from high school in 1970 he had
earned a scholarship to Juilliard. But unlike other classmates such as Yo-Yo Ma, Nathaniel would
never get a chance to realize his full potential, because during his sophomore year he began exhibiting
symptoms of the schizophrenia which would derail his dream of a career in classical music.
Soon, he had to drop out of school and return home to Cleveland where he was cared for by his mother
until she passed away in 2000. At that juncture, he headed west, prompted by a delusion that his long-
lost father resided in Los Angeles. Instead, Nathaniel only ended up on the infamous Skid Row,
leading a hand-to-mouth existence in obscurity alongside thousands of the equally destitute and less-
fortunate.
There, the only hint of his musical past was revealed when he periodically played the violin in the park
while standing beneath a statue of Ludwig Van Beethoven. Nonetheless, Nathaniel generally went
unnoticed by passersby until the fateful day, Steve Lopez (Robert Downey, Jr.), a writer for the L.A.
Times, was struck by the virtuosity being exhibited by this homeless man on a battered, old instrument
with only two strings.
The intrigued reporter introduced himself, and was shocked to hear semi-lucid Nathaniel, during rare
moments of clarity, assert that he had once studied at Juilliard. After confirming that rarified pedigree
with the school’s administration office in New York, Lopez decided to write a series of feature stories
about how someone so talented could end up a street musician begging for tips. However, he
gradually found himself crossing the line from dispassionate journalist to friend and benefactor as he
became increasingly involved with rehabilitating his subject, not only finding him an apartment, but
arranging for violin lessons and mental health treatment as well.
Thus, “Can this lost soul be saved?” is the burning question posed by The Soloist, a bittersweet bio-pic
based on Mr. Lopez’s best-seller of the same name. Directed by Joe Wright (Atonement), the film
features Jamie Foxx who does a magnificent job in his most challenging outing since Ray. Here, he
convincingly conveys the tragic plight of a man still capable of flashes of brilliance who is more often
than not betrayed by his own brain. Narrator Robert Downey, Jr. is just as effective playing the would-be
Good Samaritan forced by his estranged wife (Catherine Keener) to question his own motivations
when his every overture is ostensibly thwarted by the very person he’s hoping to help.
Was Lopez truly altruistic, or just motivated by the potential book and movie deals that Nathaniel’s
sensational tale might enable him to land? And was it fair of him to presume to know what was best for
a schizophrenic without walking a mile in the man’s moccasins or medulla oblongata? Judge for
yourself. There are no easy answers here, so don’t expect a Hollywood ending, even though the picture
was shot on location right on Skid Row (and employed hundreds of homeless as extras), virtually in the
shadow of Tinseltown.
A compelling cross of a couple of Academy Award-winning Best Pictures, A Beautiful Mind and One
Flew over the Cuckoo’s Nest, capable of holding its own up against those similarly-themed, screen
classics.
Jamie Foxx and Robert Downey Jr.
The Soloist
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